- The syllables' vowel sounds are identical.
- The sounds after the vowels (if any) are identical.
- The syllables begin differently.
- Perfect
- Family
- Additive / Subtractive
- Assonance
- Consonance
cat / hat — same AE vowel, same T ending
the rhymes and the songs that used them
Ends on a stressed syllable — a one-syllable rhyme, or a multisyllable word whose primary stress lands last. The rhyme hits the final beat, the way most rhymes in songs do.
love · dove · today · believe · forgot
Ends with an unstressed syllable trailing the stressed one — always at least two syllables. The rhyme lands a beat earlier and trails off softly.
river · mother · follow · breaking · mountain
Masculine and feminine endings rarely sing together (the rhyme lands on a different beat), so they're kept apart here.
cat / hat — same AE vowel, same T ending
cat / pad — AE vowel; T and D are both stops
| Plosives | Fricatives | Nasals | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| Voiced | b | d | g | v | TH | z | zh | j | m | n | ng |
| Unvoiced | p | t | k | f | th | s | sh | ch | |||
Each column is a family pair — same place + manner, only the voicing differs.
cried / cry — one side missing the final D
love / dot — both AH, but V and T have nothing in common
Assonance rhymes always have consonants after the vowels, but the consonants cannot be phonetically related.
love / live — both end in V; AH versus IH
Off the rhyme scale — identity is repetition, not resolution. Shown so you can spot it, not reach for it.
fuse / confuse — both stressed syllables are 'fuse'
That's the way our world workedThe sand and the dirt
Rich men died and tried, but none of it workedBut what's it all worth? Can't take it with you under this Earth
You told me put all of my heart in the song, and it workedAnd when Jake got knocked, you knew that I was hurt
Tiers follow Pat Pattison's stability scale — pick the resolution your line needs, not just the closest sound. Bold words are common in lyrics; a struck-through word with a cliché flag is an overworked pair; a vermilion dot counts how often the pair appears at line end in our corpus of real songs.